segunda-feira, 12 de novembro de 2012

The Power of Art - Bernini




The complete series: http://gekos.no/workshop/video.html
Perhaps the greatest sculptor of the 17th century and an outstanding architect as well. Bernini created the Baroque style of sculpture and developed it to such an extent that other artists are of only minor importance in a discussion of that style.
A student of Classical sculpture, Bernini possessed the unique ability to capture, in marble, the essence of a narrative moment with a dramatic naturalistic realism which was almost shocking. This ensured that he effectively became the successor of Michelangelo, far outshining other sculptors of his generation, including his rival, Alessandro Algardi. His talent extended beyond the confines of his sculpture to consideration of the setting in which it would be situated; his ability to synthesise sculpture, painting and architecture into a coherent conceptual and visual whole has been termed by the art historian, Irving Lavin, the 'unity of the visual arts'.

http://youtu.be/95_7l87prmI

Why Beauty Matters



'Philosopher Roger Scruton presents a provocative essay on the importance of beauty in the arts and in our lives. In the 20th century, Scruton argues, art, architecture and music turned their backs on beauty, making a cult of ugliness and leading us into a spiritual desert. Using the thoughts of philosophers from Plato to Kant, and by talking to artists Michael Craig-Martin and Alexander Stoddart, Scruton analyses where art went wrong and presents his own impassioned case for restoring beauty to its traditional position at the centre of our civilisation.'

http://joshuahermange.blogspot.pt/

http://youtu.be/wlzUP_M83W4

quinta-feira, 25 de outubro de 2012

sábado, 13 de outubro de 2012

Lydia - "Dragging Your Feet in the Mud"



"The progression of a painter's work as it travels in time from point to point, will be toward clarity.. toward the elimination of all obstacles between the painter and the idea.. and the idea and the observer.. To achieve this clarity is inevitably to be understood." (Mark Rothko, 1903/1970)

http://youtu.be/EWh4jUSElZk

Anouar Brahem - C'est Ailleurs



Musique : Anouar Brahem (Album : Le Pas Du Chat Noir - 2002) /
Peintures : Ayman Al Maliki


http://youtu.be/xeCCpTj-_us

segunda-feira, 8 de outubro de 2012

Bach - Oboe d'Amore Concerto in D BWV 1053









http://youtu.be/Zj-NAESu4TE
http://youtu.be/rqXxroTfwwE
http://youtu.be/BgjTx0GkvVw

An Angel To Watch Over Me



http://www.youtube.com/watch?v=f_Sm8rjUyPs&feature=share&list=PL3D3216320820384C

David Fonseca - U Know Who I Am



K

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ http://videos.sapo.pt/luCLK3ACAsk1EQ5EZTtd

call

John Dahlback Remix

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ http://www.hulkshare.com/62tflrxnq3xp

m

sexta-feira, 28 de setembro de 2012

terça-feira, 18 de setembro de 2012

Claudio Monteverdi



Algunos de los cuadros y autores que podemos ver en la exposición " Roma. Naturaleza e Ideal. Paisajes 1600-1650", que se celebra en el Museo del Prado entre el 5 de Julio y el 25 de Septiembre de 2011. La muestra está dedica al origen y la evolución del paisajismo clasicista, tomando como tema de paisaje la misma ciudad de Roma, fundamentalmente las ruinas, y su entorno natural.
Música de Claudio Monteverdi:
Lamento Della Ninfa (Madrigali del Ottavio Libro)
Due Belli Occhi Fur l'Armi (Onde Traffita)
Artista: Rinaldo Alessandrini

http://youtu.be/qXBkWMCoosg

sexta-feira, 7 de setembro de 2012

Xi Pan



Xi Pan, born in Wenhou China began her fine srt studies in q.989 at the National Academy of Fine Arts in Hangzhou China. One year later she transferred to the moscow Acaffemy of Fine Arts where she earned a Master's Degree in fine Art. Since then she has lives in Europe and the United States working as a professional artist.
She is currently living in Hangzhou, China.


via
http://montalvoeascinciasdonossotempo.blogspot.pt/

http://youtu.be/xfb5JGITvQQ

terça-feira, 4 de setembro de 2012

Cat Power - You Are Free



0:00 - 1. I Don't Blame You
3:05 - 2. Free
9:11 - 3. Good Woman
14:11 - 4. Speak For Me
18:29 - 5. Werewolf
23:20 - 6. Fool
27:50 - 7. He War
32:14 - 8. Shaking Paper
39:20 - 9. Babydoll
42:47 - 10. Maybe Not
47:44 - 11. Names
53:55 - 12. Half Of You
57:50 - 13. Keep On Runnin'
1:02:00 - 14. Evolution



http://youtu.be/vrIgT_iqsHk


segunda-feira, 3 de setembro de 2012

RENAISSANCE: Andrew Graham-Dixon - Episode 1 of 6 - Body and Soul



Andrew Graham-Dixon's 6 episode (each of about 59 minutes duration) series on Renaissance art has never been released on DVD, nor even on videotape, and it seems never will it be. The series was made before the advent of High Definition. The 6 episodes provided here were recorded on VHS tape from their first telecast in Australia in 1999.

http://youtu.be/yTrEazY_pGo

Fauvist Art - Part 1 of 2



Part 1 of a slideshow of significant Fauvist work, animated. Matisse, Gaugin, Vlaminck, Braque, Derain, Marquet and more. I just love the Fauves! Music is credited at the end and is Ravel's Introduction and Allegro for Harp, Flute, Clarinet and Strings.


http://youtu.be/Z05H89r8GvM

terça-feira, 28 de agosto de 2012

La restauradora del Cristo de Borja



grande senhora. adoro. fez como lhe pareceu, e o padre autorizou como lhe pareceu. está tudo muito bem. adoro:VHM

http://youtu.be/E8FrHHscUlo



quinta-feira, 16 de agosto de 2012

Musée des Beaux Arts, Poem by WH Auden



We can imagine WH Auden visiting the Musées Royaux des Beaux-Arts de Belgique in Brussels, and meditating on the art of Pieter Bruegel (The Elder). He focuses specifically on "Landscape with the Fall of Icarus." Icarus was the son of master craftsman Daedalus, who made wings made of feathers and wax, with which they could both escape prison. Daedalus instructed his son not to fly too close to the sun, but out of sheer delight Icarus did not heed this. The wax melted, and he fell to his death in the sea. Auden's poem is a homage to Breugel's insights into the unflinching ordinariness of everyday life, which for better or for worse speaks to our human lot. It was a masterful painting, rendered masterfully into the art form of poetry!

Here's the poem, from an analysis on this site: http://poetrypages.lemon8.nl/life/musee/museebeauxarts.htm



About suffering they were never wrong,
The Old Masters; how well, they understood
Its human position; how it takes place
While someone else is eating or opening a window or just walking dully along;
How, when the aged are reverently, passionately waiting
For the miraculous birth, there always must be
Children who did not specially want it to happen, skating
On a pond at the edge of the wood:
They never forgot
That even the dreadful martyrdom must run its course
Anyhow in a corner, some untidy spot
Where the dogs go on with their doggy life and the torturer's horse
Scratches its innocent behind on a tree.
In Breughel's Icarus, for instance: how everything turns away
Quite leisurely from the disaster; the ploughman may
Have heard the splash, the forsaken cry,
But for him it was not an important failure; the sun shone
As it had to on the white legs disappearing into the green
Water; and the expensive delicate ship that must have seen
Something amazing, a boy falling out of the sky,
Had somewhere to get to and sailed calmly on

http://www.youtube.com/watch?v=i0RTvtN4iGc

Impressionists









http://youtu.be/TbXVcrNv5m0
http://youtu.be/DkYB3sKHCjc
http://youtu.be/D4arVGyyQlo

THE OLD MASTERS



These Art Museums often seem lustreless,
sterile and as impersonal as mausoleums:
they could never have been what the great
Master Painters would have wished or wanted.
Their marvels screwed into the very walls;
incarcerated anyway under layers
of glaze and slowly-darkening varnish.

Yet unexpectedly, bizarrely, today,
a gaggle of unseen, journeyman decorators
have flooded the gallery with the alien reek
of fresh, new paint. A suppressed coughing
ripples the disturbed air and heralds stranger
metaphysical transformations: for parched
pigments on scores of antique canvasses,
arid oils on old wood panels exhale

a sustained, but distinctly audible, sigh.
And now, the Old Masters themselves,
- invisible in adjoining studios or chambers -
bend once more over kettles of oak-tree bark
and bovine urine. There's the sound
of lapis lazuli, no doubt, being smashed
and ground down to a vivid dust;

the preparation of linseed and walnut oils.
They habitually draw together into pairs
or groups to share good news; review
fortuitous innovations, techniques and tricks,
and thus conspire - in that stimulating stench
of wood-smoke, piss and stale hoof-glue -
to delight, to move and utterly astonish you.

http://youtu.be/1m3ggEcARcU

Brueghel - Private life of a Masterpiece









http://www.youtube.com/watch?v=5clCsfSKdY8&feature=relmfu

Pieter Bruegel the Elder, The Tower of Babel, 1563



Pieter Bruegel the Elder, The Tower of Babel, 1563, oil on panel, 114 × 155 cm (Kunsthistorisches Museum, Vienna).

http://youtu.be/K6BKDveCd9w

Hans Holbein the Younger, The Ambassadors, 1533



Hans Holbein the Younger, The Ambassadors, 1533, oil on oak, 207 x 209.5 cm (The National Gallery, London).

http://youtu.be/PQZUIGzinZA

http://www.googleartproject.com/unsupported-ie/

quarta-feira, 11 de julho de 2012

Matt Pond PA - The Dark Leaves Theme



Maybe live for the dark leaves
Shake the floor, the seeds come spinning down
All night, let's go all night
Through your hair giving me those green eyes
Life kills me, life kills me
Finally we've found the sweetness
Turning heaven over upside down
The first light, seeing the first light
Through your hand I can feel the green mind
Life kills me oh life kills me
Praise be live for the dark leaves
Shake the floor swinging rough and round
All night let's go all night
In the air, we can breathe our belief
Life kills me...

http://youtu.be/eaUDImuDaco

quinta-feira, 28 de junho de 2012

segunda-feira, 25 de junho de 2012

Jonquil - Sunday Night




http://www.youtube.com/watch?v=dLOgH0zIkMI&feature=related

Jairo-Jacinto Chiclana



Jorge Luis Borges, Astor Piazzolla y Jairo y una milonga para la eternidad...


http://www.youtube.com/watch?v=Aquud92tgKY&feature=youtu.be

sexta-feira, 22 de junho de 2012

James - Sometimes




http://www.youtube.com/watch?v=LGfnw4YscBA&feature=player_embedded


http://www.youtube.com/watch?v=_JmD2gQqJ1E

Guida Costa - Guida Almeida




Art & music

Margarida Costa
(aka: G. Almeida, G. Costa)


Sample of artwork by Guida Almeida set to three music samples:
a) "Bluish Waltz" (vocals - G. Costa)
b) Rehearsal - 38º 4' N (Quintet): G. Costa - vocals & trombone, José Machado - violin, Emílio Robalo - piano, Zeca Neves - double bass, Paleka - drums.
c) "O estranho caso do cão... " (based on the Perry Mason theme) performed by Longitude Zero: G. Costa - trombone, Carlos Azevedo - piano, Zeca Neves - double bass, Paleka - drums

http://www.youtube.com/watch?v=_JmD2gQqJ1E

segunda-feira, 18 de junho de 2012

quarta-feira, 13 de junho de 2012

Max Richter - Lines On A Page




http://www.youtube.com/watch?v=o1zwENmD95g&feature=related

Pierre-Auguste Renoir - Retratos - Música Debussy



Pierre Auguste Renoir, uno de los más célebres pintores franceses (1841-1919) fue el penúltimo de cinco hijos. Su padre era un modesto artesano, que ante las dificultades del sustento, se trasladó con su familia a París en 1845, cuando Renoir tenía cuatro años.Vivió sus primeros años en barrios proletarios donde trabajó como decorador de porcelanas y pintor de abanicos.

Comenzó su andadura en una tienda de porcelana China de París, donde pintaba temas que emanan dulzura y sentimentalismo heredados del Rococó. Después pasó al estudio de Gleyre, donde contactó con pintores impresionistas como Sisley y Monet. En sus primeros años, también le influyó la escuela de Barbizon, sobre todo la pintura de Gustave Courbet. A Renoir siempre se le ha considerado el representante del Impresionismo más sensual, y uno de los impresionistas más reconocidos por los temas de flores y escenas dulces de niños y mujeres.

Renoir posee una vibrante y luminosa paleta que hace de él un impresionista muy personal. Destaca especialmente, por la representación de la vida y la búsqueda de la belleza interior que lleva a cabo en sus retratos. Normalmente en los rostros de mujeres o niñas donde consigue expresar la inocencia, la armonía del ser y una bondad expansiva

El desnudo femenino es un tema que le obsesionó, sus formas gruesas pueden recordar a Rubens y su pincelada suelta y de gran cromatismo a Tiziano.

Su técnica se basa en la luz potente de la piel, que contrasta con otros colores potentes. El brillo de los ojos, destacado con los negros de pupila y pestañas. La pincelada que genera un dibujo perfilado en el sitio exacto pero sin ser un dibujo duro ni realista, sino libre y dinámico. La técnica impresionista permite crear una atmósfera que nace del propio rostro.

En 1878, Renoir se alejó del grupo impresionista y buscó el éxito en los salones oficiales. El abandono de los principios impresionistas se acentuó cuando, a partir de 1881, numerosos viajes a Normandía, Argel, Florencia, Venecia, Roma, Nápoles y Sicilia despiertan su admiración por cierta idea clásica de lo bello (la pintura pompeyana, Ingres, Rafael) que le llevó a cuestionarse el valor de la espontaneidad de su técnica anterior, alejándose progresivamente de los efectos atmosféricos en busca de una pintura más definida. El tema de la mujer, por el que el artista mostró claramente, durante toda su vida, un gran interés, adopta, por lo general, un tratamiento de gran consistencia y de resonancias clásicas.

Las penurias económicas de Renoir terminaron con el éxito de la exposición impresionista de 1886 en Nueva York. En 1892 realizó una muestra antológica en los salones de Durand-Ruel. Dos años más tarde nació su hijo Jean (el cineasta Jean Renoir) y Gabrielle Renard, prima de su mujer Aline, entró con dieciséis años en la casa del pintor para ayudar en la tareas domésticas, aunque acabó convirtiéndose en su modelo favorita. Jean escribió: "El espíritu inherente a los niños y niñas, a las criaturas y los árboles, pobladores del mundo que él creó, encerraba tanta pureza como el cuerpo desnudo de Gabrielle. Y finalmente, Renoir revelaba su propio ser a través de esta desnudez."

A partir de ese momento los éxitos se suceden. Sin embargo, ni su artritis, que le lleva a instalarse en la Provenza en busca de un clima más cálido, es operado en 1910 de las dos rodillas, una mano, y un pie, pero ni el alistamiento de sus hijos Pierre y Jean durante la Primera Guerra Mundial, ni incluso la muerte de su esposa en 1915, logran disminuir su entusiasmo por la pintura.

Música Debussy - Andantino con moto allegro - Trío Parnassus
http://www.biografiasyvidas.com/biografia/d/debussy.htm


http://www.youtube.com/watch?v=NXxuuvCD4rY&feature=share

segunda-feira, 11 de junho de 2012

Homenagem a MARIA KEIL




Homenagem a Maria Keil
artista silvense
1914-2012

http://www.youtube.com/watch?v=NSEzXON6Qog

Yann Tiersen - Macro Boules piano




http://www.youtube.com/watch?v=TNcQK6_DMR4&feature=share

John Cale 'Whaddya Mean By That'




http://www.youtube.com/watch?v=yRU1oAfGEU0

Return To Forever - After The Cosmic Rain




http://www.youtube.com/watch?v=cry7-pPXPas&feature=related

Cat Stevens - I Wish, I Wish



http://www.youtube.com/watch?v=2jrYwbYXc2o&feature=related

I Think i see the light




http://www.youtube.com/watch?v=p38vI42QFO4&feature=related

Cat Stevens - Katmandu




I sit beside the dark
Beneath the mire
Cold grey dusty day
The morning lake
Drinks up the sky

Katmandu I'll soon be seeing you
And your strange bewildering time
Will hold me down

Chop me some broken wood
We'll start a fire
White warm light the dawn
And help me see
Old satan's tree

Katmandu I'll soon be touching you
And your strange bewildering time
Will hold me down

Pass me my hat and coat
Lock up the cabin
Slow night treat me right
until I go
Be nice to know

Katmandu I'll soon be seeing you
And your strange bewildering time
Will keep me home

http://www.youtube.com/watch?v=_IHI7NheZtA&feature=related

terça-feira, 29 de maio de 2012

Body Nature - Marta De Menezes



"During the last thousands of years humankind has tried to manipulate Nature. Today’s dogs, cats, horses, and crops are evidence of what has been achieved by artificial selection. In the last 50 years significant scientific advances have been made, allowing the modification of life in an extremely controlled way. Biotechnology was born to explore these new tools for the benefit of humankind. However, the remarkable tools of modern biology are seen with hope and fear, simultaneously. It is becoming possible to develop new therapies for uncurable diseases, but at the same time the public fears misuse of this powerful technology. As society becomes aware of biotechnology, with all its hopes and fears, artists have started to include references to biotechnology in their works. Furthermore, modern biology and biotechnology offer the opportunity to create art using biology as new media. We are witnessing the birth of a new form of art: art created in test-tubes, using laboratories as art studios.

My work has been focused on the possibilities that modern biology offers to artists. I have been trying not only to portrait the recent advances of biological sciences, but to incorporate biological material as new art media: DNA, proteins and cells offer an opportunity to explore novel ways of representation and communication. Consequently, although lacking formal scientific training, my recent artistic activity has been conducted in research laboratories."


via
http://www.martademenezes.com/


http://www.youtube.com/watch?v=39u63brKqgs

Juan Gris - Música Mozart




http://www.youtube.com/watch?v=layE9Lwhk_o&feature=youtu.be

segunda-feira, 28 de maio de 2012

Darius Milhaud: Suite per violino, clarinetto e pianoforte, Op.257b (1936)




Darius Milhaud (1892-1974): Suite per violino, clarinetto e pianoforte, Op.257b (1936).

1. Overture
2. Divertissement
3. Jeux
4. Introduction et Finale

Ensemble Polytonaal

Cover image: painting by Georges Seurat.

http://www.youtube.com/watch?v=Z5X_GFpEpJg&feature=relmfu

Carlos Walker canta Serenata do meio-dia



Serenata do meio-dia, música de João Bosco e Aldir Blanc interpretada por Carlos Walker.

Esta música, praticamente inédita (só gravada por Walker) está no legendário Lp do cantor, A Frauta de Pã, de 1975- RCA Victor. O disco conta com arranjos de Radamés Gnatalli, Alberto Arantes e Laércio de Freitas.

Participações especiais de João Bosco e Piry Reis, além de Orquestra Sinfônica, José Bertrami, Gilson Peranzzetta, Roberto Quartin, Octávio Burnier, e grande elenco.
Este disco é disputado por colecionadores e pesquisadores em todo o mundo.

Este clipe tem as belas pinturas de Barahona Possollo.

http://www.youtube.com/watch?v=4bX3Lnom0Zs

Carlos Barahona Possollo time lapse oil painting



Time lapse video of the Portuguese painter Carlos Barahona Possollo painting "Vénus entre o Pudor e a Luxúria" ("Venus between Decorum and Lust").
The painting will be on show in an upcoming exhibition at the Galleria "Il Cortile" ( address: VIA DELLA SCROFA, 111/112) in Rome, on the 19th of May of 2011.


http://www.youtube.com/watch?v=oPBc4k60yAg

Marianne North Gallery reopens at Kew Gardens




via
http://www.kew.org/video/

http://www.youtube.com/watch?feature=player_embedded&v=d4aRQgg9Cfg

sexta-feira, 25 de maio de 2012

Picasso: periodo blu



Il "periodo blu" (1901-1904) consiste di dipinti cupi realizzati nei toni del blu e del turchese, solo occasionalmente ravvivati da altri colori. Si tratta, come dice il nome stesso, di una pittura monocromatica, giocata sui colori freddi, dove i soggetti umani rappresentati, appartenenti alla categoria degli emarginati e degli sfruttati, sembrano sospesi in un'atmosfera malinconica che simboleggia l'esigenza di interiorizzazione: l'umanità rappresentata è quella deprimente di creature vinte e sole che appaiono oppresse e senza speranza. Tra le opere di questo periodo ricordiamo: Donna con lo scialletto blu (Collezione privata, 1902), Celestina (Coll. privata, 1903), Donna che stira (New York, Guggenheim Mus., 1904). L'inizio del periodo è incerto tra la primavera del 1901 in Spagna o l'autunno dello stesso anno a Parigi.
Nel suo austero uso del colore e nei soggetti (prostitute e mendicanti sono soggetti frequenti) Picasso fu influenzato da un viaggio attraverso la Spagna e dal suicidio dell'amico Carlos Casagemas. Dall'inizio del 1901 dipinse diversi ritratti postumi di Casagemas, culminanti nel triste dipinto allegorico La Vita (1903) oggi conservato presso il museo d'arte di Cleveland. Lo stesso umore pervade la nota acquaforte Il pasto frugale (1904) che ritrae un uomo cieco e una donna, entrambi emaciati, seduti ad una tavola praticamente vuota. Anche la cecità è un tema ricorrente nei lavori di Picasso di questo periodo, rappresentata inoltre nella tela Il pasto del cieco (1903, conservato presso il Metropolitan Museum of Art) e nel ritratto Celestina (1903). Altri soggetti frequenti sono gli artisti, gli acrobati e gli arlecchini. Questi ultimi, dipinti nel tipico costume a quadri, diventano un simbolo personale dell'artista.


http://www.youtube.com/watch?v=o4vIkZ9WQag&feature=youtu.be

terça-feira, 22 de maio de 2012

O Mestre da Vida



John Talla (Trevor Morgan) é um talentoso e problemático estudante de artes de 18 anos que quer se tornar um grande artista. Ao conhecer Nicoli Seroff (Armin Mueller-Stahl), um genial pintor, ele insiste para que o velho mestre o ensine a pintar. Mas Seroff não só desistiu da arte, mas também da vida e quer ficar em paz.

No entanto, Seroff convida John para passar uma temporada em sua casa da Pensilvânia. Juntos, eles dão um ao outro um precioso presente: o estudante aprende a ver o mundo através dos olhos do talentoso mestre e o mestre aprende a ver a vida atrvés dos olhos da inocência novamente

http://www.youtube.com/watch?v=ZkZ8hJmoULQ&feature=related

quinta-feira, 17 de maio de 2012

Nosce te ipsum



Music:

Clint Mansell, The Fountain

Poem:

A Divine Image, William Blake

Pictures and Sculptures:

John Martin, Pandemonium
Arnold Böcklin, The Island of the Dead
Salvador Dalí, Enfant Géopolitique Observant la Naissance de Lhomme Nouveau
Henry Fuseli, The Nightmare
Vincent Van Gogh, The Starry Night
Dorothea Tanning, Eine Kleine Nachtmusik
Salvador Dalí, Métamorphose de Narcisse
Odilon Redon, Persée et Andromède
Gustave Moreau, The Sphinx
Dorothea Tanning, Musical Chairs
Odilon Redon, La Coquille
J.M.W. Turner, The Angel Standing in the Sun
Auguste Rodin, Danaid
Katsushika Hokusai, The Great Wave at Kanagawa
Claude Monet, Impression, Soleil Levant
Caspar David Friedrich, Wanderer above the Sea of Fog
Edvard Munch, The Scream
Henry Fuseli, The Nightmare
Jackson Pollock, Number 32
Gustave Courbet, The Desperate Man
M.C. Escher, Eye
Caravaggio, Narcissus
M.C. Escher, Drawing Hands
René Magritte, le faux miroir
Francisco de Goya, The sleep of reason produces monsters
M.C. Escher, Bond of Union
António Carneiro, Sinfonia Azul
M.C. Escher, Relativity
Caspar David Friedrich, The Chasseur in the Forest
Camille Corot, Orpheus Leading Eurydice from the Underworld
Edward Burne-Jones, Pan and Psyche
Caspar David Friedrich ?
Edward Burne-Jones, The Garden of Pan
Camille Claudel, La Valse
Gustav Klimt, The Kiss
Camille Claudel, La Valse
Edward Burne-Jones, The Depths of the Sea
Auguste Rodin, The Kiss
Auguste Rodin, Fugit Amor
Gustav Klimt, Fulfilment
Auguste Rodin, The Eternal Idol
Atkinson Grimshaw, Tree Shadows on the Park Wall
Henry Fuseli, Silence
Odilon Redon, Le Silence
Caspar David Friedrich, Moonrise by the Sea


http://www.youtube.com/watch?v=YfJzYJO6Pwk&feature=related

terça-feira, 15 de maio de 2012

Rain Man





https://www.youtube.com/watch?v=w6treaJ50Aw&feature=related

The.Illusionist

~

https://www.youtube.com/watch?v=_fqaiNpxmDo&feature=related

Synecdoche

Synecdoche, New York ^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ https://www.youtube.com/watch?v=g2KstIkFPIU

terça-feira, 17 de abril de 2012

Pintura portuguesa - Alfredo Keil.wmv




http://www.youtube.com/watch?v=nAxlmLY3iVE

Cristo si è fermato a Eboli



Beginning of Christ Stopped at Eboli
directed by Francesco Rosi (1979)
starring Gian Maria Volonte
music by Piero Piccioni
"Many years have gone by, years of war and of what men call History. Buffeted here and there at random I have not been able to return to my peasants as i promised when I left them, and I do not know when, if ever, I can keep my promise. But closed in one room, in a world apart, I am glad to travel in my memory to that other world, hedged in by custom and sorrow, cut off from History and the State, eternally patient, to that land without comport or solace, where the peasant lives out his motionless civilization on barren ground in remote poverty, and in the presence of death." - beginning of the book, Christ Stopped at Eboli


Artists’ Sketchbook Online
http://gis.net/~scatt/sketchbook/links2.html#A


via

http://digital.lib.umd.edu/worldsfairs/?pid=umd:2


http://www.youtube.com/watch?v=_6hEtYgGA_8&feature=related

Cristo si è fermato a Eboli



Beginning of Christ Stopped at Eboli
directed by Francesco Rosi (1979)
starring Gian Maria Volonte
music by Piero Piccioni
"Many years have gone by, years of war and of what men call History. Buffeted here and there at random I have not been able to return to my peasants as i promised when I left them, and I do not know when, if ever, I can keep my promise. But closed in one room, in a world apart, I am glad to travel in my memory to that other world, hedged in by custom and sorrow, cut off from History and the State, eternally patient, to that land without comport or solace, where the peasant lives out his motionless civilization on barren ground in remote poverty, and in the presence of death." - beginning of the book, Christ Stopped at Eboli

via
http://gis.net/~scatt/sketchbook/links2.html#A

segunda-feira, 16 de abril de 2012

quarta-feira, 4 de abril de 2012

terça-feira, 20 de março de 2012

sexta-feira, 16 de março de 2012

quick & easy hardback sketchbooks




Here's a super easy and quick way to make simple blank hardback sketch books for all your creative scribbles!

amy karol
www.angrychicken.typepad.com
www.amykarol.com

via
http://angrychicken.typepad.com/angry_chicken/arty/

http://www.youtube.com/watch?v=DIQwUC75Owg&feature=player_embedded

Someday My Prince Will Come - Niels-Henning Orsted Pedersen & Michel Pet...




http://www.youtube.com/watch?v=GvBC0OTH93c&feature=share

segunda-feira, 12 de março de 2012

escolhas

ontem 020.JPG

"Se me dessem a escolher entre viver para sempre ou morrer quando o momento chegar, não hesitaria por um único segundo – porque a perfeição do que é finito não se compara à ilusão da eternidade. Não me interpretem mal - acredito na passagem para um outro país, para uma outra estrela -, mas convenci-me há muito que esta viagem existe em função do que dela fizermos. Se estamos no comboio contrariados... com a aproximação do destino nem sequer seremos capazes de apreciar a viagem… contudo, se mantivermos a ilusão e os olhos abertos, quando nos avisarem de que será na «próxima paragem», parecer-nos-á tão natural como um dia de infância. Tão natural como o lugar onde verdadeiramente fomos eternos antes de o sermos." LO

quinta-feira, 8 de março de 2012

artist Leonid Afremov




http://www.afremov.com/

http://www.youtube.com/watch?feature=player_embedded&v=utb2ep_xatw

Vladimir Ivanov




http://www.youtube.com/watch?v=lU0d1a3AYM8&feature=related

Vladimir Volegov



http://www.youtube.com/watch?v=H0FkOOFH_j4&feature=related

Al Jarreau - Your song



Pinturas de / paintings by: NirvanaShiva * Misti Pavlov * Guan Zeju * Pino Daeni * Eugene de Blaas * Edward Robert Hughes * Andrew Atroshenko * Charles Chaplin * John William Waterhouse * William Merritt * Vladimir Volegov * Tamara de Lempicka * Michael Austin * Guillaume Seignac * Rousseau * William Bouguereau

RECEITA DE MULHER
As muito feias que me perdoem
Mas beleza é fundamental. É preciso
Que haja qualquer coisa de flor em tudo isso
Qualquer coisa de dança, qualquer coisa de haute couture
Em tudo isso (ou então
Que a mulher se socialize elegantemente em azul, como na República Popular Chinesa).
Não há meio-termo possível. É preciso
Que tudo isso seja belo. É preciso que súbito
Tenha-se a impressão de ver uma garça apenas pousada e que um rosto
Adquira de vez em quando essa cor só encontrável no terceiro minuto da aurora.
É preciso que tudo isso seja sem ser, mas que se reflita e desabroche
No olhar dos homens. É preciso, é absolutamente preciso
Que seja tudo belo e inesperado. É preciso que umas pálpebras cerradas
Lembrem um verso de Éluard e que se acaricie nuns braços
Alguma coisa além da carne: que se os toque
Como no âmbar de uma tarde. Ah, deixai-me dizer-vos
Que é preciso que a mulher que ali está como a corola ante o pássaro
Seja bela ou tenha pelo menos um rosto que lembre um templo e
Seja leve como um resto de nuvem: mas que seja uma nuvem
Com olhos e nádegas. Nádegas é importantíssimo. Olhos então
Nem se fala, que olhe com certa maldade inocente. Uma boca
Fresca (nunca úmida!) é também de extrema pertinência.
É preciso que as extremidades sejam magras; que uns ossos
Despontem, sobretudo a rótula no cruzar das pernas, e as pontas pélvicas
No enlaçar de uma cintura semovente.
Gravíssimo é porém o problema das saboneteiras: uma mulher sem saboneteiras
É como um rio sem pontes. Indispensável.
Que haja uma hipótese de barriguinha, e em seguida
A mulher se alteie em cálice, e que seus seios
Sejam uma expressão greco-romana, mas que gótica ou barroca
E possam iluminar o escuro com uma capacidade mínima de cinco velas.
Sobremodo pertinaz é estarem a caveira e a coluna vertebral
Levemente à mostra; e que exista um grande latifúndio dorsal!
Os membros que terminem como hastes, mas que haja um certo volume de coxas
E que elas sejam lisas, lisas como a pétala e cobertas de suavíssima penugem
No entanto, sensível à carícia em sentido contrário. É aconselhável na axila uma doce relva com aroma próprio
Apenas sensível (um mínimo de produtos farmacêuticos!).
Preferíveis sem dúvida os pescoços longos
De forma que a cabeça dê por vezes a impressão
De nada ter a ver com o corpo, e a mulher não lembre
Flores sem mistério. Pés e mãos devem conter elementos góticos
Discretos. A pele deve ser frescas nas mãos, nos braços, no dorso, e na face
Mas que as concavidades e reentrâncias tenham uma temperatura nunca inferior
A 37 graus centígrados, podendo eventualmente provocar queimaduras
Do primeiro grau. Os olhos, que sejam de preferência grandes
E de rotação pelo menos tão lenta quanto a da Terra; e
Que se coloquem sempre para lá de um invisível muro de paixão
Que é preciso ultrapassar. Que a mulher seja em princípio alta
Ou, caso baixa, que tenha a atitude mental dos altos píncaros.
Ah, que a mulher de sempre a impressão de que se fechar os olhos
Ao abri-los ela não estará mais presente
Com seu sorriso e suas tramas. Que ela surja, não venha; parta, não vá
E que possua uma certa capacidade de emudecer subitamente e nos fazer beber
O fel da dúvida. Oh, sobretudo
Que ela não perca nunca, não importa em que mundo
Não importa em que circunstâncias, a sua infinita volubilidade
De pássaro; e que acariciada no fundo de si mesma
Transforme-se em fera sem perder sua graça de ave; e que exale sempre
O impossível perfume; e destile sempre
O embriagante mel; e cante sempre o inaudível canto
Da sua combustão; e não deixe de ser nunca a eterna dançarina
Do efêmero; e em sua incalculável imperfeição
Constitua a coisa mais bela e mais perfeita de toda a criação imunerável.

Vinícius de Moraes


http://www.youtube.com/watch?v=X45kSRFGH-M&feature=related

WOMEN IN ART 2




http://www.youtube.com/watch?v=bI_SYwYdWuc&feature=related

Women In Art




http://www.youtube.com/watch?v=pZns7NYDNNE&feature=related

domingo, 4 de março de 2012

MARCO. Salas Paula Rego



http://www.youtube.com/watch?v=BpZ9j-wdHXk&feature=related

Exposição Paula Rego - My Choice



http://www.youtube.com/watch?v=ydmdHr9uSBs&feature=related

Igualdade de Género, Paula Rego




http://www.youtube.com/watch?v=-p9UvV9zVCY&feature=related

Paula Rego - 1.ª Parte



http://www.youtube.com/watch?v=AKlZ4V8ZoRU&feature=related

Souto Moura: "A Paula Rego foi uma surpresa"




http://www.youtube.com/watch?v=6IeH0Ys9clw&feature=related

Paula Rego: Telling Tales Clip



http://www.youtube.com/watch?v=4bjFmReB37c&feature=related

Paula Rego



http://www.youtube.com/watch?v=oi01YDET2Ao&feature=related

Pintura portuguesa - Júlio Pomar



http://www.youtube.com/watch?v=H6X5jBgmV3s

quarta-feira, 29 de fevereiro de 2012

Gioachino Rossini - Guglielmo Tell (Guillaume Tell) - Overture (Chailly)...



With "Guillaume Tell" Rossini finally offered Parisian audiences an original opera in French, though the public wouldn't be too excited by Rossini's experiment with the genre and the opera; coldly received at the premiere, not often performed after, never truly forgotten, but not a popular favorite, the work has only recently went through a veritable Renaissance on the wave of reappraisal belcanto has enjoyed for the past fifty years and it absolutely deserves our reevaluation. Into its historical panorama based on the play by Schiller Rossini wove pastoral elements, patriotic deeds and superbly drawn characters. He responded imaginatively to the challenge of creating a work for the French Opera without abandoning his Italian roots, integrating the belcanto lyricism and formal refinement of Italian opera (mostly evident in the lovers' music) with the declamatory immediacy and scenic splendor (particularly in the extensive choruses and ballets) of French opera. Carefully written, harmonically daring, purged of melodic ornamentation, orchestrally opulent, "Guillaume Tell" represents a final purification of Rossini's style, possibly his best creation.

When I first listened through it, I couldn't believe just how ideal it was: the whole opera is composed on one breath, there are virtually no self-borrowings, as Rossini usually did, moreover, each piece has its' logical place in the whole opera, making for a thoroughly delightful experience; the story is exciting and, though not without its' problems (Arnoldo and Matilde being an archetypal pair of lovers), is believable; even running at four hours, the work never grows boring, on the contrary, I found myself almost hoping that something less than charming would pop out, but no, the composer presents us with inspiration on every corner. In short, it's a crowning achievement of Rossini's career. But let us pass onto the music itself.

It is truly impossible to choose any favorites from the score, as it has just too many inspired pages; my choices are thus dictated purely by my personal tastes: I've decided to post both ballet sequences and the choruses attributed to them; the first two finales, including the famous meeting of the Swiss at night; three arias, one each for the three main protagonists; a duet for Tell and Arnoldo and, of course, the overture. I do think that these pieces represent the work at its' best, though I would urge you to find yourself a complete version and listen to it from beginning to the very end. It's well worth an evening of your time :).

The version of the score that I have chosen to represent it is, in my opinion, the best rendition readily available: recorded with a star cast (Sherill Milnes, Luciano Pavarotti, Mirella Freni are only some of the names appearing in it) in between 1978-1979 under the leadership of Chailly, the recording, though sung in Italian, is, in a word, an ideal representation of the piece, as it captures both the dramatic intensity of the text and the orchestration and the sheer vocal splendor that Rossini provided to his audience. We start with the overture.

The overture to "Guillaume", well-known separately from the work, is a forerunner of things to come. Like the opera-proper to follow, it is superbly dramatical, featuring not two or three, as per tradition, but four highly individual movements. The whole overture seems, unlike most Rossini's orchestral opening to his operas, intimately connected with the opera itself, as it is, basically, an invocation of Switzerland.

3. Ranz des Vaches (call to the dairy cows) features a melting solo for the English horn with delightful flute flourishes over sustained strings. Perhaps, Rossini best orchestral movement.

4. The famous galop "cavalry charge" is heralded by trumpets and played by full orchestra. A most fitting ending to a wonderful overture.


http://www.youtube.com/watch?v=6y7tjxii2y4

Tom Waits "Closing Time"





Tom Waits "Closing Time"
Pintor: Edward Hopper


http://www.youtube.com/watch?v=2IhqYu8RRlk&feature=related

Tom Waits "Closing Time"





http://www.youtube.com/watch?v=2IhqYu8RRlk&feature=related

sexta-feira, 17 de fevereiro de 2012

http://www.jornaldenegocios.pt/home.php?template=SHOWNEWS_V2&id=537025


http://www.elpais.com/global/


http://vedrografias2.blogspot.com/2012/02/outros-carnavais_7587.html

sexta-feira, 10 de fevereiro de 2012

segunda-feira, 6 de fevereiro de 2012

sexta-feira, 20 de janeiro de 2012

KANDINSKY DRAWING



1926 footage of Wassily Kandinsky at work - Kandinsky was at the Bahaus at this time.



http://www.youtube.com/watch?v=T8yk1Z1224o&sns=fb

segunda-feira, 9 de janeiro de 2012

Maryanne Amacher: Living sound (1980)


Maryanne Amacher (1938-2009): Living sound, for "Sound-joined Rooms" series (1980).



v
http://arteseanp.blogspot.com/

domingo, 8 de janeiro de 2012

Flunk - Cigarette Burns




Official video for Flunk track 'Cigarette Burns'. From album 'This Is What You Get'. Video by Erik Hannemann. August 2009. More at flunkmusic.com

Frida Kahlo Images with Music



via
http://www.artknowledgenews.com/frida_kahlo_video_her_lifes_work.html


https://www.facebook.com/artknowledge#!/artknowledge?sk=wall

sexta-feira, 6 de janeiro de 2012

Elisabeth Söderström: Capriccio (Final scene) by Richard Strauss




Richard Strauß (1864-1949)

Capriccio, opera, Op. 85 : Closing Scene. Andante con moto

- "Den Schluss der Oper" - "Kein Andres, das mir so im Herzen loht"

Elisabeth Söderström (1927-2009), soprano.

Royal Philharmonic Orchestra
Dirigé par Antal Dorati, Pierre Boulez


http://www.youtube.com/watch?v=2JxPdmVqKAk&feature=related

quinta-feira, 5 de janeiro de 2012

Pen and Notebook - Camera Obscura



Artist: Camera Obscura
Title: Pen and Notebook
Album: Biggest Bluest Hi-Fi
Camera Obscura - Pen and Notebook

You saved for a bass guitar
you knew you'd made a mistake when you first saw Marr
with your pen and notebook you've blown me away
it's the smallest words we cannot say

Your favourite colour is that of red wine
which brings me around to your favourite pastime
with your pen and notebook you've blown me away
and I won't be blamed for not feeling the same

Are the stars out tonight
from the Southside oh the prettiest side
will you stumble or fall tonight
are you watching wrapped up cosy and tight

We're not the same
we're not the same
we're not the same


http://www.youtube.com/watch?v=UonnRbzxYL4&feature=share